Yale to offer new course on Beyoncé's cultural impact in spring 2025
Next semester, Daphne Brooks, professor of African American Studies and music, will teach a new class titled “Beyoncé Makes History: Black Radical Tradition History, Culture, Theory & Politics through Music.” In the class, students will examine Beyoncé’s artistic work from 2013 to 2024 as a lens to study Black history, intellectual thought and performance.
The course is a byproduct of Brooks’ previous class at Princeton University titled “Black Women in Popular Music Culture.” While at Princeton, Brooks served as a faculty member in the English and African American Studies Departments. Much of the content in her Yale course draws from the section in her Princeton course which focused on Beyoncé’s cultural impact.
“Those classes were always overenrolled,” Brooks said. “And there was so much energy around the focus on Beyoncé, even though it was a class that starts in the late 19th century and moves through the present day. I always thought I should come back to focusing on her and centering her work pedagogically at some point.”
Brooks believes that following the 2024 election and the events preceding it, it’s important to recognize Beyoncé’s unprecedented contributions to American culture, popular culture and global culture for the past two decades.
The course primarily centers around Beyoncé’s sonic, fashion and visual media following her 2013 self-titled album all the way through 2024’s “Cowboy Carter.” It also delves into the multifarious Black female experience in media and politics.
The course is a byproduct of Brooks’ previous class at Princeton University titled “Black Women in Popular Music Culture.” While at Princeton, Brooks served as a faculty member in the English and African American Studies Departments. Much of the content in her Yale course draws from the section in her Princeton course which focused on Beyoncé’s cultural impact.
“Those classes were always overenrolled,” Brooks said. “And there was so much energy around the focus on Beyoncé, even though it was a class that starts in the late 19th century and moves through the present day. I always thought I should come back to focusing on her and centering her work pedagogically at some point.”
Brooks believes that following the 2024 election and the events preceding it, it’s important to recognize Beyoncé’s unprecedented contributions to American culture, popular culture and global culture for the past two decades.
The course primarily centers around Beyoncé’s sonic, fashion and visual media following her 2013 self-titled album all the way through 2024’s “Cowboy Carter.” It also delves into the multifarious Black female experience in media and politics.